Mountain of the mind #3

Digital print

Marianne Heske was groundbreaking when she in the early 1980s portrayed the Norwegian landscape with a video camera that she extracted stills from. She would then digitally modify the images, creating pixellated dream-like simulacrums and then print them in large formats.

Growing up in the north west of Norway, surrounded by titanic mountains over the Norwegian fjords, Heske brought with her a grand respect for nature and its powers. Following the traditions of romantic landscape paintings, Heske's video paintings praise the grandiosity of nature.

The word mind in the works' titles is pointing at Heske's wish for creating a philosophic and intellectual encounter with nature. The series contributed to changing society at the time's expectations of how different mediums could be utilized in art, and contributed to Heske's position as a ground breaking artist within the scene of Norwegian and international conceptual art.

92 x 77 cm
Edition: 180
NOK 8,000.00
+ 5% art tax

Marianne Heske (b. 1946, Ålesund) was educated at Bergen School of Arts and Crafts, École Nationale Supérieure des Beaux-Arts in Paris, Royal College of Art in London, and Jan van Eyck Academie in Maastricht.

Heske is regarded as a pioneer of Norwegian conceptual art and has exhibited at museums worldwide throughout her career. In 1980, she created the historic work "Prosjekt Gjerdeløa", in which a 350-year-old mountain barn from Tafjord was dismantled and transported to Centre Pompidou in Paris as a conceptual gesture. Today, the work stands as a key piece in Norwegian art history and is permanently exhibited at Kunstsilo.

Her artistic practice spans sculpture, installation, video, and digital media. In the 1980s, she introduced her video paintings, an exploration of how video technology can be used in a painterly manner. Based on landscape footage—often filmed in the aftermath of natural disasters—she digitally processes the images into intense, almost painterly compositions. The camera functions as a brush, and the images are transformed through manipulated color tones and textures, where the unpredictability of nature meets the aesthetic potential of technology.

Heske’s work is included in the collections of all major museums in Norway, as well as international institutions such as Centre Georges Pompidou in Paris, British Museum in London, Bibliothéque Nationale de Paris, The Pushkin State Museum of Fine Arts in Moscow, the National Museum of Contemporary Art in Seoul, and the Shanghai Duolun Museum of Modern Art.

The Present (group), QB Gallery, Oslo, NO
2024
Painting today (group), QB, Oslo, NO
2022
Wittgenstein's Boat (solo), Berliner Festspiele, Berlin, Germany
2022
TIL DEG (group), Vestfossen Kunstlaboratorium, Vestfossen, NO
2021
2020
Icebraker (solo), Kunstnernes Hus, Oslo, NO
2020
Tennessee Waltz (solo), QB, Oslo, NO
2018
Sublime (group), Centre Pompidiou-Metz, Paris, FR
2017
House of Commons (installation), Outside The Norwegian Parliament, Oslo, NO
2015-2016
Tour-Retour (solo), Astrup Fearnley Museet
2014-2015
Overlys (solo), Kunstnerforbundet, Oslo, NO
2011
Absolutt installasjon (solo), Nasjonalmuseet, Oslo, NO
2011
A Dolls House (group), Henie Onstad Kunstsenter, Oslo, NO
2002
Electra (group), Henie Onstad Kunstsenter, Oslo, NO
1997
Experimental Environment (group), Reykjavik, Island, IS
1980
Himmel og Jord (solo), Stenersen Museet
2010
-, (solo), Samtidskunstmuseet
2006
Retrospektive utstillinger, (solo), Museet for Samtidskunst og Henie-Onstad Kunstsenter, Oslo og Høvikodden
2002
Verdensutstillingen EXPO 2000, Norges representant, Hannover, Tyskland
2000
-, (solo), Galleri Wang
1994
-, (solo), Pori Kunstmuseum, Pori, Finland
1992
-, (solo), Henie-Onstad Kunstsenter, Bærum
1986
-, (solo), Henie-Onstad Kunstsenter, Bærum
1981
-, (solo), Galleri F15, Moss
1978
Life Styles (group), Institute of Contemporary Art, London, GB
1976

More artworks