La rue est pleine de poupées vivantes que se promener

Smykkesten fra Zimbabwe

Sentralt i Marianne Heskes kunstnerskap står skulpturene hun lager av dukkehoder. Dette er et livsprosjekt basert på et antikvarisk 1800-talls dukkehode Heske fant på et marked i Paris i 1971.

Dukkehodene har fulgt kunstnerskapet til Heske og representerer kulturer fra hele verden: edeltre fra Kenya, smykkesten fra Zimbabwe, porselen fra Kina, full led crystal fra Norge, hoder støpt i metall og belagt med gull, sølv og kobber fra Nepal, dukkehoder laget i perler og resirkulerte bokser fra Zimbabwe og marmor fra Agra i India. Heske bruker lang tid på å bli kjent med stedene der hodene produseres og deres individuelle kultur. Det originale dukkehodet fra Paris vises til de lokale håndverkerne som bes om å lage sine egne tolkninger av disse.

Hodene viser til det unike i hvert menneske – de kan sees alene eller i grupper, og refererer til relasjoner oss mennesker i mellom.

11 x 6 x 6 cm
Unique
NOK 14,000.00
+ 5% art tax

Marianne Heske (b. 1946, Ålesund) was educated at Bergen School of Arts and Crafts, École Nationale Supérieure des Beaux-Arts in Paris, Royal College of Art in London, and Jan van Eyck Academie in Maastricht.

Heske is regarded as a pioneer of Norwegian conceptual art and has exhibited at museums worldwide throughout her career. In 1980, she created the historic work "Prosjekt Gjerdeløa", in which a 350-year-old mountain barn from Tafjord was dismantled and transported to Centre Pompidou in Paris as a conceptual gesture. Today, the work stands as a key piece in Norwegian art history and is permanently exhibited at Kunstsilo.

Her artistic practice spans sculpture, installation, video, and digital media. In the 1980s, she introduced her video paintings, an exploration of how video technology can be used in a painterly manner. Based on landscape footage—often filmed in the aftermath of natural disasters—she digitally processes the images into intense, almost painterly compositions. The camera functions as a brush, and the images are transformed through manipulated color tones and textures, where the unpredictability of nature meets the aesthetic potential of technology.

Heske’s work is included in the collections of all major museums in Norway, as well as international institutions such as Centre Georges Pompidou in Paris, British Museum in London, Bibliothéque Nationale de Paris, The Pushkin State Museum of Fine Arts in Moscow, the National Museum of Contemporary Art in Seoul, and the Shanghai Duolun Museum of Modern Art.

The Present (group), QB Gallery, Oslo, NO
2024
Painting today (group), QB, Oslo, NO
2022
Wittgenstein's Boat (solo), Berliner Festspiele, Berlin, Germany
2022
TIL DEG (group), Vestfossen Kunstlaboratorium, Vestfossen, NO
2021
2020
Icebraker (solo), Kunstnernes Hus, Oslo, NO
2020
Tennessee Waltz (solo), QB, Oslo, NO
2018
Sublime (group), Centre Pompidiou-Metz, Paris, FR
2017
House of Commons (installation), Outside The Norwegian Parliament, Oslo, NO
2015-2016
Tour-Retour (solo), Astrup Fearnley Museet
2014-2015
Overlys (solo), Kunstnerforbundet, Oslo, NO
2011
Absolutt installasjon (solo), Nasjonalmuseet, Oslo, NO
2011
A Dolls House (group), Henie Onstad Kunstsenter, Oslo, NO
2002
Electra (group), Henie Onstad Kunstsenter, Oslo, NO
1997
Experimental Environment (group), Reykjavik, Island, IS
1980
Himmel og Jord (solo), Stenersen Museet
2010
-, (solo), Samtidskunstmuseet
2006
Retrospektive utstillinger, (solo), Museet for Samtidskunst og Henie-Onstad Kunstsenter, Oslo og Høvikodden
2002
Verdensutstillingen EXPO 2000, Norges representant, Hannover, Tyskland
2000
-, (solo), Galleri Wang
1994
-, (solo), Pori Kunstmuseum, Pori, Finland
1992
-, (solo), Henie-Onstad Kunstsenter, Bærum
1986
-, (solo), Henie-Onstad Kunstsenter, Bærum
1981
-, (solo), Galleri F15, Moss
1978
Life Styles (group), Institute of Contemporary Art, London, GB
1976

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