Taffel (Blood Meridian)

Lithography, printed with six stones/colors at Norske Grafikeres Verksted in Oslo.

This work is Bjørn Båsen's first selfmade lithography. Båsen is frequently inspired by literature, and this image is based on Cormac McCarthy's novel "Blood Meridian", which is set in 19th century Texas. The print shows a shattered porcelain chandelier casting the shadow of a burning building. The decor is lifted from classical Western motifs.

This is Bjørn Båsen's first time working through the entire process of lithography. Lithography is a relief printing technique from the end of the 18th century, based on the mutual repulsion of oil and water. First, the lithography stone is ground down to a coarse but even surface. Then the image is drawn on the stone with ink or crayon. As both contain fat, they protect the drawing when the surface is treated with a mixture of gum arabic and acid. The acid dissolves the parts of the surface not covered by crayon or ink, leaving behind the drawing. The next step is mixing the printing inks, and dispensing it onto large rollers. These are then rolled over the stone for an initial trial print. To saturate the image on the stone with ink, this process has to be repeated up to ten times. When the stone is thoroughly saturated the printing can begin. The ink is rolled onto the stone and covered with paper, both of which are then run through the printing press. If a more vibrant look is desired, multiple colors and values can be printed onto the same single print. To accomplish this, a new stone is made for the additional color, and the etching and printing is repeated over the same motif.

53 x 78 cm
Edition: 18
Sold

Bjørn Båsen (b. 1981, Eggedal, Norway) has a BA from The Arts Institute at Bournemouth and an MA from the Oslo National Academy of the Arts.

Båsen’s works invite the spectator into a whole new world. His skillful perspectives make one feel as though you could take a leap and fall into his illusion of a blissful wonderland. However, in his world of porcelain puzzles, cracks are always present and propped with references to deep and often dark matters. Båsen’s oeuvre is filled with references to mythology, past and present decadence – the fairytales of former glory meet the realism of today.

His work is included in the collection of the Astrup Fearnley Museum, KODE Art Museum, Nordnorsk Kunstmuseum, the National Museum of Decorative Arts and Design, The Grieg Art Collection, Equinor Art Programme, Stavanger Kommune Art Collection, DNB as well as numerous private collections nationally and abroad.

Mirrorscape, QB Gallery, Oslo, NO
2024
Gjenfortryllet (group), Nordenfjeldske Kunstindustrimuseum, Trondheim, NO
2023 - 2024
Enter Art Fair (group), Lokomotivværkstedet, Copenhagen, DK
2023
Bjørn Båsen og Ragna Breivik (duo), Oceana Kunstsenter, Os, NO
2023
Sølvpust (group), Oceana Kunstsenter, Os, NO
2023
Tales we tell (group), QB Gallery, Oslo, NO
2022
Mythos (solo), Nitja, Lillestrøm, NO
2022
30 Grader i Februar (gruppe), QB Gallery, Oslo, NO
2021
Ghosts (solo), Galleri LNM, Oslo, NO
2020
A Dream Within a Dream (gruppe), QB Gallery, Oslo, NO
2020
Olje og Begjær (gruppe), QB Gallery og Blomqvist Kunsthandel, Oslo, NO
2019
Hjemmets skatter (gruppe), Blaafarveværket, Modum, NO
2018
125 Objects, Choices, Stories (group), Nordenfjeldske Kunstindustrimuseum, Trondheim, NO
2018
What Wood Would (group), Nordenfjeldske Kunstindustrimuseum, Trondheim, NO
2017
Surrealismen (gruppe), Nordnorsk Kunstmuseum, Tromsø, NO
2017
Solo, Galleri Brandstrup, Oslo, NO
2017, 2013, 2011, 2009
I tråd med tiden (gruppe), Haugar Kunstmuseum, Tønsberg, NO
2013
God natt da du - : Surrealisme i Norsk Kunst, Stenersen Museet, Oslo, NO
2010
The Solo Project (group), Basel, SW
2010
Lights On (group), Astrup Fearnley Museum of Modern Art, Oslo, NO
2008

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