The exhibition ‘It’s always morning somewhere’ illuminates a hope for the future at a time when we are weighed down by great trauma and environmental damage. In response to the melancholy that can keep us down, the exhibition points to a hope that the future can be shaped through active choices and an awareness of how we relate to the environment, but also to each other. In the exhibition, we encounter a sculptural work that extends upwards and turns in different directions, and can be regarded as a representation of a human figure or an organic growth in development. The six photographic motifs refer to the constituents of nature and man's position in relation to them, and thus become carriers of references. At the same time, they possess an ambivalence that extends beyond what is first visible to us. As an observer, active participation is required: to discover the motifs, you must move around the sculpture. Only then will new layers of meaning become visible, and new mediations take shape. In this way, the exhibition invites to reflect on the relationship between human and nature, melancholy and future optimism on an existential and universal human level.

What opportunities do we have?