"The first time the artist made a rougher ceramic sculpture, she tried to hide it, and that despite the fact that this was "only" with students at the Academy of Arts. What would they think? [...]

But there was no reason to worry, neither then nor since. The fox-like creature was even exhibited at the National Museum a few years later. And the buyers, both private and institutional, have embraced Scholze's expressive sculptures.

The clay barely has time to dry before the artist gets a new assignment." writes Kari Nestaas in her report on Andrea Scholze in Kapital.

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